la clemenza di tito–currently playing

at vivalavoce, click here (for window media player) or here (for vlc, winamp) to listen in

Fri Dec 03, 2010, at 5PM Pacific Time, 8PM Eastern Standard time, 1AM (nextday) UK time, 2AM Central Europe time

December 3
Wolfgang Amadeus Mozart: La Clemenza di Tito

Anthony Rolfe Johnson (tenor) [Tito Vespasiano] | Julia Varady (soprano) [Vitellia] | Sylvia McNair [Servilia] | Anne Sofie von Otter (mezzo-soprano) [Sesto] | Catherine Robbin [Annio] | Cornelius Hauptmann (bass) [Publio] | The Monteverdi Choir | The English Baroque Soloists | John Eliot Gardiner (conductor)



49 responses to “la clemenza di tito–currently playing”

  1. Definitely the Opera says:
    December 3, 2010 at 20:09

    Great moment No. 1: Vittelia (soprano Sylvia McNair I think) has a darker timbre than Sesto (mezzo ASvO).

    _________________________

    @ DtO: ja, i was confused for a moment, was that Vitellia or Sesto? 🙂

  2. I know! It came out from the basso profondo!

  3. this is so much faster than the Salzburg version with Frau K and Hannoncourt…, that duet b/t Sesto and Annio zoomed by me

    1. The thing zooms even with a slower tempo! There’s a YouTube clip — illegal, of course — with von O as Sesto and Sarah Connolly as Annio, or the other way around. It feels like it lasts 12 seconds.

  4. Oh, it’s not McNair, it’s Julia Varady (I’ll pretend I’m familiar with her work).

    (I love the voice of the late Anthony Rolfe Johnson. He passed earlier this year.)

    1. clap clap clap, yes! i like . i’m still confused with the Annio and Servilia, can’t tell who is who yet…

  5. Ok, it’s Annio-Servilia duettino that just finished.
    D’you want to bother with the libretto? Eccolo: http://www.impresario.ch/libretto/libmozcle_i.htm

    1. got it right in front of me, english and italian :-), while trying to work…, now onto his niiiice aria… like like

  6. What is this instrument, clarinet? IT IS BEAUTIFUL, how the voice and the solo instrument dance together.

    1. wooh, shirt-sleeves rolled up, i ready to kill!

  7. *wiping tears* I need to own this CD.

    1. tears? i quite warm and ready to kill here, knife in hand 😀

      1. It came out more loving than ferocious. No knives, a love song really!

        Well, Vitellia just reached the highest note in the opera, described by my Grove Book of Operas as ‘cruelly high’. All I heard from the loo was screaming.

        I won’t be original when I say this, but the problem with sopranos is that, um, they tend to scream a lot.

      2. Now, yes, this is different: Oh Dei, che smania è questa etc. is angry.

  8. ok, i have to admit, i still can’t distinguish Sesto and Vittelia voices in this duet… (trying to listen w/o libretto…)

  9. I’m scared sh*tless by Vitellia. I hear Ursula or some such Verdian alto creature whenever she sings.

    1. Ulrica, not Ursula. My mind’s messed up.

    2. wow, she’s really hitting the low notes at “io sento” and “mi fa”, truly darker than ASvO!!

      1. So true. Beginning to find the combination… kind of attractive.

  10. back to the absolutely lovable Tito, who could do bad things to such king

  11. now this sounds like love to me, what Publio is expressing…

  12. hahaha I know. but it’s a simple aria that, grazie a Dio, ends quickly.
    here’s annio, but he’s struggling at moments. or maybe he’s supposed to sound like he’s struggling?

    1. i’m afraid “he” gave me a slight headache, the headphones are getting to me may be…

      1. Are you at work, for real!? GO HOME!

  13. Is there a format we can use for future chats that’ll be easier to read later on, that you can scroll down? I’ve seen that in some newspaper website — like its own chat box in the middle of the screen, and you scroll within it… I wonder how difficult it will be to get one on the bloggity blog.

    1. ah, i’m now gettng quite involved with this trio, Publio is so protective…, let me read your comment again…

      1. Non può di più penar was spectacular. All that bromance and male bonding…

    2. well, perhaps you can read into it? :-). i’ve done skyping w/ friends, listeing with them, and now blogging. oh, must pay attention to this first… Deh…

    3. ok, i was just now distracted by Tito again, he really has beautiful music to work with. about chat, perhaps we can try this about our next session

  14. and who’s in favor of Sesto’s low note?? (me me)

  15. Tanto affanno soffre un core,
    Né si more di dolor!
    But now there’s this long chunk without Sesto. Let’s see, maybe Annio will get better.

  16. sadly there’s no replay button…

  17. i am sooooo getting this CD.

    Meanwhile, check this out: http://en.wikipedia.org/wiki/Julia_Varady Julia Varady is one of those ‘extended’ sopranos who started as mezzos! (Apparently Maria Callas was too)

    1. vivalavoce will love the fact that they have such good influence on their audience

  18. Oh my, and she is Dietrich Fischer-Dieskau’s fourth and (one expects) final wife!

    1. well, she’s coming up….

    2. Bottombless Ad intrecciar. Quite a sight. Forget alto: this woman is a baritone! 🙂

      1. wow, i MUST find this on youtube!! amazing!!!!! where does it say she’s a soprano???

      2. Check that Wiki page I linked. You’re more confused than I. 🙂

      3. that wiki page is short of info for sure, but Orfeo, i believe that!

      4. I wondered why it was short, I suppose she retired early? I’ll research her some more.

  19. Well this was fun! We must do it again! And I am getting that CD, like, yesterday.

  20. clap clap clap clap clap clap clap. wonderful recording!!

  21. that was fun indeed. until next time!! i’ll look for her on youtube!!

  22. Hey, that’s one of my favorite La clemenza di Tito recordings. :oD Love Julia Varady, of course (she’s Fischer-Dieskau’s wife. A wonderful singer and voice actress… and she was a delicious Vitellia!). And Rolfe Johnson is very hard to beat as Tito, too.

  23. ja, a very nice recording! at very fast tempo too, i didn’t think you can finish the whole thing in 2 hr flat!
    here it is, i found “the” clip with Julia Varady’s veeeery low notes:

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scientist by day, opera fan by nights and weekends.

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