now, on medici.tv
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* i don’t know this opera very well.. thought fontainebleau was skipped… but here it comes…
* scene done, Harteros gone… may be time to head back to bed…
* male bonding… libertà!
* princess Eboli has arrived, along with the all female chorus.. let me check who’s in trouser…
Maria Celeng (Tebaldo) , Ekaterina Semenchuk (La Principessa Eboli)
* eeks, the king has arrived to catch vulnerable Elisabetta alone… and her best pal is kicked back to Spain…
* heart breaking scene on the floor, Elisabetta and her best friend… though whenever this scene hits i always think of Marina Poplavskaya at covent garden.
* back, wow how long is this opera?? but just in time for Harteros’ big aria…
* a secret… he gives me a headache… but time to run again… let’s hope this thing remains on net for re-watch…
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Edit: rewatch
* making it slowly through the performance, quite like Harteros in first scene, like princess Eboli too. I currently on the floor:
* there’s way too much male singing! who are all these guys? no wonder the opera is 5hr long. on same note, i not really fan of king Phillip, or whoever he is that Elisabeth married to…
* YESSSSSS, patience has paid off. finally got to Elisabetta’s aria… dead quiet, heavenly soft singing, shaken-ly heart breaking when the flute re-introduced fontainebleau tune, followed by Elisabetta’s wide sparkling eyes + soft smile recalling happy times, *sniff*. absolutely gorgeous singing. right about here (that must be the clarinet accompanying flute?):
* So, that’s a wrap, i really made it to the end, all 6 parts of capture. REALLY like princess Eboli too. For Harteros, I love her singing, the last aria and duet were perfect. In other places sometimes i felt the singing occasionally a bit pushed (too loud singing?) . In all cases, i like her much more as Leonora, may be coz i like that music better :-). I’m quite fine without all the male characters :-D. A thadieu’s guide starts with Fontainebleau, then the Veil Song, then poor Elisabetta on floor coping with parting forever with her best friend (Non pianger, mia compagna), then princess Eboli’s regret (o don fatale), then to Elisabetta’s last aria and duet with Carlo. Oh, wait, there’s also a very short section (~1min?) with duet of some male voice and cello, very nice! The last duet also has Harteros singing to the harp! It’s also the bit i enjoyed JK’s singing the most, lots of soft singing and emotional expressiveness.
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ps- the staging was meh. i quite like staging of trovatore in Munich actually, with that masked shadow following Leonora handing her the cup of death… now any staging without dark creepy shadow is too tamed for me 😀
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