music for the working night

Since getting back from San Francisco, I have had a new appreciation for Anna Caterina Antonacci’s singing, if you can believe that. Anik was very nice to point out a tribute Parterre wrote up on the occasion of her appearance in SF this year.. which prompted me to dig up this spectacularly intriguing program (the same one in the tribute above) that i really wish she would sing more often. More importantly, I *did* sit through Gluck’s Armide in Wien last October, though admittedly still quite jet-lagged and not knowing the story at all. But of course this curated show did nothing but further stirred my interest..

I already was aware of the existence of various clips on youtube of ACA singing the role to great acclaim back in 1996 and 1999.. There’s also the entire version on youtube (just audio), though I’m afraid per usual, somehow during the processing, the poster damaged the quality of the audio, I suspect… Major ringing + headache inducing.. But no fear! I’ve just found a SUPBERB audio version, wav format, of the entire thing. So, here it is, a clip, the music to finally start the morning of (more) paper writing.

La chaine de l’Hymen m’étonne,
Je crains, je crains ses plus aimables noeuds:
Ah! qu’un coeur devient malheureux
Quand la liberté l’abandonne!


(ps- on the note of SF, she gave two really nice interviews with them. The first, hilarious comments on actresses versus singers 🙂 , and the second providing more info on her background. I’m beginning to love San Francisco more and more.)
(ps2- yes, the Juditha Triumphans write up *will* come, _after_ i finish these 2 manuscripts + 1 final project report + 1 review + 2 proposal edits…, because they must be done prior to me heading off to see more contraltos.. )