music for friday

ze hiiiiiiiiiippogriff! ❤ ❤
Note the orchestra!! and theorbos strumming! It was clear and energetic like this on our first night (not under cover). We all agreed Lucia Cirillo rocked in this role, she was really having fun too.

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contraltos Ruggiero & Medoro ftw

for those getting a headache this past week in Venice from Medoro, let me offer a solution that works on so many levels, or as I say it, music written for contraltos sung by contraltos, ❤

do take a moment (or five) just to hear how WARM the sound is!!! as well as the acting!!

And while we are at it, please feel absolutely free to imagine Lucia Cirillo’s Alcina to this Ruggiero…

to jog our memory, at about here, Alcina is caressing Ruggiero on top of the steps…

while the adorable hippogriff kneeling to Bradamante…

music to start saturday

the mezzo-contralto love medley

Time for discovery…

Dorilla: Romina Basso, mezzo-soprano
Elmiro: Serena Malfi, mezzo-soprano
Nomio: Marina de Liso, mezzo-soprano
Filindo: Lucia Cirillo, mezzo-soprano
Eudamia: Sonia Prina, contralto
Admeto: Christian Senn, baritone

In case you’re not convinced yet, how about the 1-liner description of each character (copied from the description of the youtube video link below):

Dorilla (Romina Basso, mezzo-soprano): daughter of Admeto, in ❤ with Elmiro (mezzo)
Elmiro (Serena Malfi, mezzo-soprano): a shepherd, in ❤ with Dorilla (mezzo)
Nomio (Marina de Liso, mezzo-soprano): god Apollo disguised as a shepherd, in ❤ with Dorilla (mezzo)
Filindo (Lucia Cirillo, mezzo-soprano): in ❤ with Eudamia (contralto)
Eudamia (Sonia Prina, contralto): a nymph, in ❤ with Elmiro (mezzo)

not sure what the bass does in here.. and some other minor details:
I Barocchisti (on period instruments), conducted by Diego Fasolis.

what are we waiting for?!

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(possibly we’re waiting for a live show of this with this similar kind of line up)
(ha!! Vivaldi’s Four Season excerpt is in the opening chorus!!
Btw, actually it sounds like Vivadi’s Juditha Triumphan music actually, that chorus..)

music to start the very long weekend

we still have a meeting today at 10am.. not sure how i’m going to make it at all… and then another meeting at 2pm methinks.. whatever.. i’m ready for a very long weekend to just sleep in. and jeah, sorry, if you’re looking for a relief from Sara Mingardo’s discussion, this is the wrong place. Every time i see her live it seems to trigger even more diving in.. Especially now that i’ve learned she’s teaching a lot more baroque singing to young students, and in parallel performing really intimate pieces in small churches scattered in Italy. So, time to continue dwelling in the vault. The night has been spent searching for her pianissimo.. Here, to start the long weekend. It is on my list of the things I’d like to hear SM live in. It’s really nice to have a conductor who can clear out everything for these moments. ❤

There's also a whole playlist here.

more monteverdi snippet

ok, so i’ve just found out that more people are now taping “live” S.Mingardo’s performances, yay. Wish this thing below is in full.. but snippet is what we’ll settle for now. There’s also this other full thing which I’ve already posted in some comment section, but it never hurts to share again the goodie, and along with it a lovely write up (based on translation).

(Note the video below: the volume is by default mute, you just have to switch it on. also on mobile the vid doesn’t show up, so it’s now linked to the picture above.)


music for Dorilla debugging


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Ah, ch’infelice sempre
mi vuol Dorilla ingrata,
ah, sempre più spietata m’astringe a lagrimar.

Per me non v’è ristoro,
per me non v’è più spene.
E il fier martoro e le mie pene,
solo la morte può consolar.

Ah, ungrateful Dorilla
wants me to continue suffering;
ah, always more unmercifully she induces my tears.

For me there is no cure,
for me no more hope.
Only death will quench my pain and sadness.